Nowadays everything should be extra wide, crisp, with sparkling open high end frequencies and a tight well defined low end, and the whole thing shouldn’t be over-compressed but still loud as hell. The main problem with all these mastering issues is that we live in a 2013 and not in the old good times described by the fertile but slightly senile old gurus. The better the tool is, the better the end result will be. Mastering is an art and if you are a mastering guru, then you can produce a good master with almost any tool but most of the people that I know, producers, musicians and even some studio technicians, are not so good on in the field of mastering, at least without having a good “all in one” tool. In times past I did my mastering with T-Racks, then with Maximus, and now I have switched to Ozone. For the rest of us, a good tool is essential. If your a master at mastering, you can probably get good results with any tool.
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